"Fantasy" Konstantin Balmont

Like lively vigilant, in the sparks of the Lunar Sianya,
Surrection of pines, fir trees and birch;
Veusive forest calmly dorms, bright shine moon Reception
And the Roptan of the Wind Movement, the whole full of secret dreams.
Hearing a quiet moan mellowe, whisper pine whisper, whispering ate,
In a soft velvet bed they are glad to rest
Nothing remembering anything
Slender branches lonely, on midnight sounds.

Someone's sighs, someone's singing, whose sorrowful prayer,
And longing, and the federation - the star sparkles,
Exactly light rain flows, - and the trees are miserable
The fact that people will not dream, no one and never.
It is rushing the spirits of the night, it sparks their eyes,
In an hour of deep midnight, spirits are rushing through the forest.
What are they tortured, what is disturbing? What, like a worm, is secretly gnawing?
Why do they have a swarm who can sing the expandable anthem of heaven?

All the strongest sounds their singing, everything is heard in it tomorrow,
Tireless aspires unchanged sadness -
Exactly their tomit anxiety, thirst for faith, thirst for God,
For sure, they have so much flour, for sure they are sorry.
And the moon pours shiny, and without flour, without suffering
Slightly tremble the outlines of the tricks of fairy tale;
They all dreamed so sweet, it will be disgusted with moans
And with tranquility, spells of clear, bright dreams.

Analysis of the poem of Balmont "Fantasy"

The path to the literature for Konstantin Balmont was by no means soared with roses. Despite the fact that his first poem the future poet composed at 10 years old, almost a quarter of a century passed before his author became truly famous. Wine all the restless character of Balmont, who was a true romantic in the soul, so constantly fell into ridiculous stories. Some of them ended very poorly, as, for example, the deduction from the university for the promotion of revolutionary ideas, as well as a ban on accommodation in large Russian cities after the poet took part in an anti-government rally.

By 1894, when the poem "Fantasy" was born, Konstantin Balmont had already managed to decline the fame of the rebar and a supporter of revolutionary ideas. However, on the literary field, he remained a novice poet, who was still preparing for the publication his first collection of poems. It was in him that the lyrical and very sublime "fantasy" entered, dramatically distinguished against the background of other works of this period with its ease and the elegance of the syllable.

In his hobby, the teachings of ideologues of Socialism Balmont still did not lose the opportunity to admire the world around the world, which, if you believe Marx and Engels, was to be gloomy and deprived of attractiveness. Of course, in any country at the turn of the 19th and 20th centuries, it was possible to find many shortcomings, and the semi-divided Russia, only entered into the path of capitalism, was a rather depressing spectacle. However, the poet saw the opposite side of the medal, admiring the beauty of Russian fields and forests, their pristine purity and harmony. True, in those literary circles where Balmont rotated, it was not accepted about such a similar thing at that time, as in prose, and in poetry reigned pessimistic moods. The ladies wrote about undivided love and suicide, and men called on the people on the barricades. Balmonta, with all his rebellion, after imprisonment and links, wanted to fill the soul with simple human joys. Probably, for this reason, a romantic "fantasy" appeared on the world, in which the author reveals beauty winter forest. "Those whisper, whispering ate, in a soft velvet bed they are glad to rest," says the poet, very elegantly and figuratively transmitting the fragility of this perfect world. Sleep by the snow by snow tree causes a poet not only the lunizing, but also a feeling of light envy. He understands that a person is not given like this so forget and get rid of all his troubles, seigns and failures. Balmont understands that he personally never become the same serene and peaceful, like trees that can afford, "branches are slim declining, to heed the sounds of midnight."

The poet associates itself, rather, with the spirits of the nightwhich rushing through the forest. "What torment them, what is worried?", "The author asks the question. And quite easily finds the answer to him, looking into your own soul. There is a complete confusion, since Balmont does not know what awaits him ahead, what should I strive for what to hope for. His, like forest inhabitants, "Tomit anxiety, thirst for faith, thirst for God." However, no one is able to help her poet, nor the night spirits to find peace and return themselves life goal. Therefore, Balmont remains only to fantasize on the topic of the snow-covered forest, which is represented by the poet of refuge from everyday storms, although the author understands that "sweetly dorms" in this amazing kingdom only trees. And he never found in this fabulous world of what is customary to refer to the meaning of life, which the poet is deprived of due to the desire to be a rebellion and the desire to change this world for the better.

Russian poet-symbolist Konstantin Dmitrievich Balmont wrote a "fantasy" poem in 1893. In this immortal lyrical work, he described his own impressions of wonderful nature and sleeping forest.

The poet is not just admirement of the outlines of trees in a fabulous lunar shine. He gives them vital powercomparing with alive sculptures filled with secret dreams. His forest trembles and calmly dorms, the winding of the wind and whispers, hearing a moan mellowe.

Inaccessible to human mind, unearthly sees in nature Balmont. Fantasy, who walked in the admiring imagination of the poet, draws an image of his living, unrequisite to anyone's life.

Natural element, wind, blizzard in poems are endowed with mysterious forces capable of drawing unusual paintings in imagination. Pine and the freshers are gratifying to rest, "nothing remembered about anything, nothing is sick." This is very rejoicing Balmont. The fantasy of his soul is permeated with a sense of satisfaction and harmony.

Slender branches, listening to the sounds of midnight, indifferently and calmly stay in the chars of their bright dreams. Invisible to the human eye of the night of the night - spirits, throwing sparks, rushing among the forest. They fill the space with their sighs, their singing.

These magic images use balmont in their work. The fantasy of the poet, beyond the limits of human understanding, inhabits the nature of creatures. They pray, they are experiencing longing and approval.

Images of spirits filled with life are rained by trees, they are racing the author. Applying such expressive means of the language in their vershs, Balmont made them artistic and romantic.

It shows all the shades of the soul and a moored person of a person who observes the greatness of nature. The reader is immediately configured to the right perception. Together with the author, he plunges into the atmosphere of fabulous and the musicality of the rhymes uses in his genius "fantasy" - a work in which the Great Wizard is shared by his perception of the world around, masterfully portraying his beauty and spirituality.

"Fantasy" shows the eternal question of being: "And what is there for the edge?". Not once and not two will address this issue many writers and poets of our time.

"In an hour of deep midnight, spirits are rushing through the forest." The poet asks the question of what they are tormented and disturbing? And he answers him himself. Thirst for faith, thirst for God. Asking rhetorical questions, he wanted to emphasize the mystery of our world, anxiety before the unchanging of existence.

Left a deep mark in art. The whole Armada of talented people left behind the permanent works, among them - Balmont "Fantasy". Analysis of chronological events of that era shows that the fate and the work of writing poems in those distant days are often very close in spirit to our contemporaries.

After all, true poetry eternal. She calls for spiritual development. Pleiad of talented authors, bright representatives of this period, loved ones and revered in our days, is that confirmation.

Objectives of the lesson: Analyzing a specific poem, see the features of the poetic manner of K. Balmont, understand his creative "laboratory", understand the significance of the poet's creativity for the development of Russian poetry in general.

During the classes

Teacher: Literary epoch turn of the 19-20 centuries. Almost half-century reign of realism, glorified by Pushkin, Lermontov's names, was replaced by an era of an unrestrained creative experiment. I am striking the rapidness with which new directions, currents, schools appear. One of the first researchers of this era of Hungarians: "None of the previous periods of our literature knew such a number of literary names, did not know such a rapid achievement of fame, such dizzying books-graded success ..." If we consider the space from 1890 to 1910, it turns out the impression of which -To kaleidoscope. Although the Russian symbolism has emerged as a whole direction, but very soon challenged in bright, independent individuals. Who of the poets, in your opinion, is the most a bright representative Russian symbolism?

Pupil: V. Brusov, D. Mezhkovsky, Z.Gippius, K. Balmont, F. Sologub ...

Teacher: One sentence name the bright feature of the poetics of each.

Pupil: V. Brusov - all creativity is inherent in a materialistic view of the world; There is no mystical symbolism in its poetry characteristic of symbolists; His lyrical hero is an individualist who does not accept modernity, worshiping only by art; D. Mezhkovsky - characterized by the awareness of the fatal loneliness, the splitness of the person, the preaching of beauty; Z.Gippius - mysticism, mental longing, loneliness, separation of reality and dreams; K. Balmont - the rejection of the outside world, sorrow, the exaltation of love, nature; Powerful verse musicality; his poetry impressionistic; F.Sologub - deep pessimistic poetry; Characterized by mythological and folklore images.

Teacher:But in their work and a lot in common.

Pupil: Yes, general is their desire with the help of artistic symbols, often mysterious in meaning, reflect the secret parties of being in fiction; They believed in the saving mission of beauty and protested against reality, confident in the disadvantage and death of the modern public device.

Teacher: Today we will again turn to the work of a unique, distinctive poet. The poet who admired whom they called the genius. So, K. Balmont, "Fantasy" poem. Year of writing - 1893. What events in the life and work of Balmont occurred during this period?

Pupil: In 1892, Balmont first visits Scandinavia, which was not just loved, but also cried with her. The reflections of the Scandinavian impressions spoke in the book of poems "under the northern sky", where the second poem was "fantasy". This collection of verses became not only a significant event in the creative biography of Balmont, but also marked a new artistic direction - symbolism. In a number of poems, Fetu, Tyutchev, but a fresh, original poetic gift was felt in everything.

Reading a poem by heart.

Teacher: If you look at the poem, it is visually distinguished by 3 stanches, 3 semantic parts.

Conversation with a class on the first semantic part.

What picture is drawn by Balmont in 1 part? - Picture of sleeping winter forest. Nature is immersed not just to sleep, but the condition of the peaceful rest, everything is dormant, laziness ("calmly dormant", "glad to rest"). The author seems to be describing the real material world, but, reading the poem, we seem to be separated from the earth's realities and go to some kind of fabulous, mysterious world, fantastic (I remember that for some reason A.RO "Morozko" fairy tale).

How does the poet achieve this? What do we see? - We see not pine, spruce and birch, but their outlines. It seems that if you crush my eyes on a moment and open them again, they will disappear. We see not the moon itself, but only the "sparks of Lunar Siagia", "bright shine." There is a feeling of moments, a flash, ease, unscrewing, variability of what is happening. What do we hear? - We hear "Rapting wind", "quiet moan mellowe", whispering firings and pines (helps alliteration "Sh", "sh", "h", "T", "C"). It seems that someone put a finger to her lips and pronounces softly: "T-S-C-C". Which fine remedy gives Balmont preference? - personification. Before us is a living image of nature. She lives, though "sleeps"; For her dormary, a stormy inner life is hidden: the forest "prophetic" (predictive future, prophetic), "performed by secret dreams" (dreams, unknown, hidden, deeply personal), etc. And only the penultimate line "I don't remember anything, no one sick" indicates the presence of a lyrical hero, deeply excited.

What images are symbols in the first semantic part? - The image of the moon. The moon is an extraterrestrial world, the world of dreams, fantasies, where the philosophical thought is born, where creative fantasy comes, imagination; The world is very far from reality. The moon is associated with space, and space - with eternity, eternity - with immortality. Recall, as in 1942, in Paris, the sick and beggar Balmont, saying goodbye to life, with the sun, with poetry, said that he would leave the Milky Way to Eternity: "I was enough on this shore ... Turning the cherished, the night of the night I dear, so that In the Milky there is a way where new stars conceive ... ". Also there are images - symbols of free elements of blizzard and wind (we understand that the imagination of the poet is not adequate, he now does not prevent anything, the poet of Vain, is free ...).

Speech student on the topic: "Images are symbols in the work of Balmont."

Balmont often uses various images - symbols. After analyzing 3 collection of poems poems ("under the northern sky", "silence", "in vastity"), I came to the conclusion that one of the most frequent images of the moon. Here are a few lines from poems: "Why are we always intoxicating the moon? Because it is cold and pale. Too much, the sun gives us the sun, and no one will sing songs to him that the moon, under the moon, between the dark branches, sings the nightingale, "; "When the moon sparkles in the darkness of the night with his sickle, brilliant and gentle, my soul is striving for another other, captivated to all distant, all the vast" ("Moonlight"); "On the diamond cover of the snow, under the cold Siain Moon, we are well with you ... How to dream and love and love ... in the kingdom of clean snow, in the kingdom of the pale moon" (without a smile, without words ").

"The wind of the evening sigh is dying. Full moon changeable face. Joy insane. Sadness incomprehensible. Mig impossible. Happiness MiG. " ("Song without Words"). In the following poems collections (for example, "burning buildings") The moon is somewhat less common, called "extinguishing", "pale", "dying", but already in a later collection "We will like the sun" the moon again becomes different - a symbol, although The poet and says that he "in this world came to see the sun." The names of the compilation poems themselves talk about this: "Prying the Moon", "The Effect of the Moon", "New Moon", "Lunar Silence". It can be concluded that the moon for Balmont "dominion of the Great Silence"; This mysterious Queen of Dreams and dreams marks the other direction of being, the world is impatient, intimate. The moon is another symbol, beautiful world, peace of dreams and visions, it is a caring from the present in the sublime world. No wonder he wrote: "I can't live here, I love restless dreams ..."

Conversation with a class on the second semantic part.

In 2 parts in front of the reader, as it were, the gates in the vast and wonderful world of imagination, fantasy, far from reality, but who so worries the poet, calls the lyrical hero in the distant road. As in Kaleidoscope, the liks of the winter night are replaced here, her moment, and the Balmontic fantasy is changing rapidly. What are we nowhere to hear? - already "sighs", "prayer", the nature exactly tomtracts the alarm, "longing", but here - "Sour", i.e. The state of delight, pleasure. Frequently used in 2 parts of lexical repetitions, words are repeated, as if tauchet (as they do not remember V. Markovsky, who said that "Balmont poems smooth and dimensional, like rocking and Turkish sofas ..."!). But this condition is characteristic not only in nature. Who else? - man, lyrical hero. We, together with the lyrical hero, we feel this state of delight. There are "night spirits" (cherished wishes, memories), sometimes memories of the past are tormented, the soul becomes hurt. There is some kind of anxiety ("for sure they are sorry for something"). What is a pity lyrical hero? - It is a pity that all this is not that it is a fabulous deception ("what people do not disappear"). The lyrical hero of philosophically comes to this.

Conversation with class on the third semantic part.

In the third, the smallest part, everything returns to the circles. There are no tensions or fatal secrets or rhetorical issues. Where does the 3 part begins? - From the Union "A", the second and third parts are opposed, and the first and third parts as it were for the second. In 3 parts, everything calmed down ("sweetly dormant", "indifferent ... will be introduced", "with calmly acceptable"). Why? - Probably nature, and the lyrical hero are preparing for a meeting with new impressions. There will be many more beautiful moments, discoveries. And it was only a brief moment in an endless time stream. - Yes, Balmont was able to "stop the moment," to capture him in the poem, he showed us personal, while the momentary perception of the night. He is an artist - an impressionist (I remember the words Goethe: "Stop, moments, you are fine").

What is the meaning of the name of the poem? - Fantasia - the ability to creative imagination, which reaches its culmination point when the world of nature and the inner world of a person are in harmony. The harmony of the majestic world of nature, the immense space and the infinite subsoil of the human soul, visions, dreams and dreams of each of us.

Balmont loved the color very much (remember at least "red sail in the blue sea, in the sea blue ..."). But in this poem "fantasy" there is practically no color scheme. Why? - Balmont deliberately makes emphasis on a rumor, tangible, visual perception of surrounding reality. Only life-affirming epithet "Light" is found in the poem. It should be noted that there is no pronounced division into individual stanches in the poem. Why? - This is explained by the fact that the author initially conceived the poem of a very musical, singing plan. After all, Balmont was musically gifted. Music in his work fills everything. On his verses, as on notes, you can put musical signs. About 500 romances are created on his poems. The work of "fantasy" is not readable, but it comes in, and the internal rhymes contribute to this, to which the poet often resorts. Indeed, you read Balmont - you get into a fairy tale, listen to spring.

Final word. Each spring in the city of Shu Ivanovo region offers a bright and interesting holiday - Children's Balmont Festival of Poetry "Sunny Elf", in which children of all schools of the city take part. The festival attends a lot of guests, including the daughter of K. Balmont S.K.Shal. The festival lasts a whole week, during which the children visit exhibitions, the work of the drawings on the works of K. Balmont, and the competition for the best reading of poet poems is also held within the festival. The poet is remembered, since each line of his works cannot but hurt the most tender and thin strings of any human soul, and the sophisticated perception of Balmont of nature will not leave any reader indifferent.

"Fantasy"

Like lively vigilant, in the sparks of the Lunar Sianya,
Surrection of pines, fir trees and birch;
Veusive forest calmly dorms, bright shine moon Reception
And the Roptan of the Wind Movement, the whole full of secret dreams.
Hearing a quiet moan mellowe, whisper pine whisper, whispering ate,
In a soft velvet bed they are glad to rest
Nothing remembering anything
Slender branches lonely, on midnight sounds.

Someone's sighs, someone's singing, whose sorrowful prayer,
And longing, and the federation - the star sparkles,
Exactly light rain flows, - and the trees are miserable
The fact that people will not dream, no one and never.
It is rushing the spirits of the night, it sparks their eyes,
In an hour of deep midnight, spirits are rushing through the forest.
What are they tortured, what is disturbing? What, like a worm, is secretly gnawing?
Why do they have a swarm who can sing the expandable anthem of heaven?

All the strongest sounds their singing, everything is heard in it tomorrow,
Tireless aspires unchanged sadness -
Exactly their tomit anxiety, thirst for faith, thirst for God,
For sure, they have so much flour, for sure they are sorry.
And the moon pours shiny, and without flour, without suffering
Slightly tremble the outlines of the tricks of fairy tale;
They all dreamed so sweet, it will be disgusted with moans
And with tranquility, spells of clear, bright dreams.

Like lively vigilant, in the sparks of the Lunar Sianya,
Surrection of pines, fir trees and birch;
Veusive forest calmly dorms, bright shine moon Reception
And the Roptan of the Wind Movement, the whole full of secret dreams.
Hearing a quiet moan mellowe, whisper pine whisper, whispering ate,
In a soft velvet bed they are glad to rest
Nothing remembering anything
Slender branches lonely, on midnight sounds.

Someone's sighs, someone's singing, whose sorrowful prayer,
And longing, and the federation - the star sparkles,
Exactly light rain flows, - and the trees are miserable
The fact that people will not dream, no one and never.
It is rushing the spirits of the night, it sparks their eyes,
In an hour of deep midnight, spirits are rushing through the forest.
What are they tortured, what is disturbing? What, like a worm, is secretly gnawing?
Why do they have a swarm who can sing the expandable anthem of heaven?

All the strongest sounds their singing, everything is heard in it tomorrow,
Tireless aspires unchanged sadness -
Exactly their tomit anxiety, thirst for faith, thirst for God,
For sure, they have so much flour, for sure they are sorry.
And the moon pours shiny, and without flour, without suffering
Slightly tremble the outlines of the tricks of fairy tale;
They all dreamed so sweet, it will be disgusted with moans
And with tranquility, spells of clear, bright dreams.

Analysis of the poem "Fantasy" Balmont

"Fantasy" Konstantin Dmitrievich Balmont - Vitivataya, a bizarre work in the spirit of a symbolism of the stroke of centuries.

The poem is written in 1894. His author at that moment was 27 years old, he is a beginner poet who is looking for his way in literature. It should be noted that the debut book of a young poet did not make a special impression on critics and reading a special impression. According to the genre - landscape lyrics, in size - choreas with alternating rhyme and unimposed lines, 3 stanches. The lyrical hero is the contemplator. The first eighthile is a romantic night landscape. Oarser comparisons and personification: here and trees, "like a scaber", and a dormant necessarily "prophetic forest", and several times mentioned Moon with an indispensable "brilliance" and "radiance", and "wind ropot". And the lipid of alliteration with lexical repetitions, designed to fascinating the gazed reader. Inversion: whispering pines. The trees "reveal" (sleep) in "bed", they have no memory, no desires, they live only by a real moment and the same. However, in 2 stanza appear new characters: Spirits of the night. They are "rushing" and the eyes of their "sparkle". The poet makes it clear that these are a recalcitrant perfume, an unclean power, rejecting the Creator's praise. In the final eight-grade chaos increases, dissonance sounds in the sleepy world. The poet suggests that they are challenged by unfulfilled "thirst for God", whom they rejected. Now, not finding peace, they are moving around the world, which they seem to be too clear, harmonious. It seems that the poet himself ends them. He does not accept ordinary explanations, for him the night - the time of discoveries and fantasies, and not rest and sleep. It fully sympathizes disturbed in the air and is almost angry with the moon (just like that, from the capital letter), the roaring shiny "without flour, without suffering." In the final, they repeat, albeit in the reassession, words and images from the first stanza. This allows you to consider the composition of the product of the ring. Vocabulary elevated. Poems are saturated with epithets: sweet, mystery, velvet, light, slim. Metaphor: Hand at midnight sounds. There are several rhetorical issues. Anaphor: for sure. The poem is filled with verbs. Enumerable gradation is one of the main means of expressiveness. K. Balmont explores the possibilities of musical verse, trying to bring the value of the form to the depths of the content.

"Fantasy" K. Balmont entered the collection of early lyrics of the poet "under the northern sky."