The purpose of the lesson: Show the logic of developing the idea of \u200b\u200bthe work.
Methodical techniques: Analytical reading of the poem.
During the classes.
I. Checking homework.
Reading and discussing selected poems.
II. The word teacher
From the earliest poems of Mayakovsky was inherent excessive lyrical opening, reckless inner discoversion. There is practically no distance between the specific lyrical "I" of the poet and its lyrical hero. Lyrical experiences are so tense that, whatever he wrote, the acute lyrical, individual intonation permeates the fabric of its poetry. Such is the first of his poem with the mysterious and empty name "cloud in pants" (1915). Mayakovsky himself identified it as "tetraptich", the meaning of four parts of which is "the proportion of your love", "one of your art", "one's own", "one religion".
III. Analytical conversation
What Associations reminiscence Causes this definition of Mayakovsky?
(Categorical of judgments, statements of the lyrical hero reminds of uncompromising, nihilism, Bazarov Rez. Recall the subject of Bazarov and Kirsanov's disputes - it practically coincides with what Mayakovsky writes.)
What image unites parts of the poem?
(Parts of the poem connects the leading image - lyrical "I".)
What techniques is it depicted?
(Main image reception - antithesis . The opposition to the whole society in the prologue of the poem grows to opposition to the whole universe at the end. This is not just a dispute, it is a bold challenge, so characteristic of the work of early Mayakovsky (remember the poem "NATE!", "YOU!"):
Your thought
dreaming on a softened brain,
as a sleeketer on a salted couch,
I will tease about the bloody hearts of the flap,
Fantasy mock, cheeky and caustic. ("Cloud in the pants", entry)
To resist everything and everything and not to break through only an unprecedented powerful personality. Hence the next reception - hyperbolization Image: "The world is in the power of the voice, / IMU - beautiful, / twenty-one,"; The hyperbole can be combined with comparison: "As the sky, changing tones." Range of this person - Pole: "Mad" - "Imcorrusive gentle, / not a man, and - cloud in the pants!" So the meaning of the name of the poem is manifested. This is a self-irony, but the main feeling that captured the hero is indicated: "tenderness". How is it going with the Bunlet elements of the poem?
How is love in the poem depict?
First part - extremely frank story about love. The reality of what is happening is consciously emphasized: "It was, / was in Odessa." Love does not transform, but distorts "Lubu" -shelovka: "Now you could not find out: / Housing huddle / moaning, / wring." It turns out that this "lump" "I want a lot." "Much" is actually very simple and human:
After all, it does not matter for myself
and what bronze
And the fact that the heart is cold iron.
Night I want to ring
hide into soft
in female.
The love of this "bulk" should be a "little, humble love". Why? The bulk is exceptional, the second is not. The gentle neologism of "Lyuboye", resembling a "baby", emphasizes the power of feeling, touching tenderness. Hero at the limit of feelings, every minute, an hour of waiting for beloved - flour. And as the result of suffering - the execution: "Twelve hour fell, / as from the fees of the head of executed." Nerves are naked, outrigues. The metaphor is implemented "nerves / large, / small, / many! - / Scaches mad, / and already / at the nerves legs are cut! "
It is finally the heroine. The conversation is not about love-dislike. The action on the lyrical hero of the words of his sweetheart is transmitted by grinding sound:
You entered,
Sharp as "NATE!",
Muta Gloves Suede,
Said:
"You know -
I'm getting married".
With what techniques are transmitted psychological condition Hero?
The psychological state of the hero is transmitted very much - through the external calm: "You see - calm like! / As the pulse of the dead man "; "And the most terrible / saw - my face, / when / am I absolutely calm?" Internal suffering, the torn of the soul is underlined by the transfer (Angebeman): must be kept, and therefore it is clear, slowly, measured.
"Heart Fire" burns the hero: "I will jump out! Light! Light! Light! / Collapsed. / Do not join the heart! " Here it is turned inside out the phraseology "The heart pops out from the chest." The disaster comprehended Hero, comparable to world catastrophes: "Creek last, - / You alone, that griefly, in the century, beyond!"
What is the logic of the development of the poem in the second part?
The tragedy of love is experienced by the poet. It is logical that the second part of - About the relationship of the hero and art. The part begins with a decisive statement of the hero: "I am above all that is done, / I put" Nihil "(" Nothing ", Lat.). The hero denies the "exacted", sluggish art, which is done like this: "Before moving, / long go, drowned from fermentation, / and quietly floundering in the Tine of the heart / stupid Vobra's imagination." "Vinny" "from Lyubay and Soloviev some kind of vapor" - not for him. These "love" - \u200b\u200b"Nightingale" - not for the street, which "swelling the unless". The bourgeoisity, the severity flooded the city, crushed alive words with their carcasses. The hero shouts, calls for rebounded against the "sucking free app / to each double bed": "We are the creators themselves in a burning hymn!" This is an anthem of a living life that is put above "I":
I,
chosen
Whose word
The soul is new
Birthday body,
I tell you:
The smallest dust of living
Currently, what I will do and did!
(Pay attention to neologisms
Mayakovsky).
The role of "microcubage zaratstust" (Nietzshean motives are generally strong in early Mayakovsky), speaking of the coming "in the tern wreath of revolutions" "Sixteenth year", determines clearly:
And I have his forerunner!
I - where pain, everywhere;
on each drop of tear leak
Cruced yourself on the cross.
How do you understand these words?
Here the hero has already identified himself with God himself. He is ready for self-sacrifice: "I will pull out the soul, / cesspool, / so that big! - / And bloody ladies, as a banner. " Here is the purpose and appointment of poetry and poet, worthy of the "huge" personality of the hero.
How is this goal shown in the third part?
The thought of the poem logically proceeds to those whom to lead under this "banner" made from the "Martured Soul" Hero:
From you,
who are Mokley Love,
from which
In the century, the tear flowed,
I'll leave
Sun Monochal
I will insert into widespread eyes.
Circle vulgarity, media, ugliness. The hero is confident: "Today / need / Castete / to face the world in the skull!" And where are the "genius recognized by humanity? They are prepared by such a fate: "On the chain of Napoleon, he will lead like pug." This vulgar world should be destroyed by anything:
Remove, walking, hands from trousers -
Take a stone, a knife or bomb,
And if which has no hands -
I came to and beat his forehead!
Go hungry,
Sweat
submissive,
Successful in Blochast dirty!
Go!
Mondays and Tuesdays
Color blood on holidays!
The very lyrical hero takes on the role of the "Thirteenth Apostle". With God, he is already easily: "Maybe Jesus Christ sniffs / my soul is forget-me-not." -
How does a lyrical love topic manifest in the fourth part? How does it change?
From global designs on the alteration of the world, the hero returns to thoughts about her beloved. However, he did not leave these thoughts, they were only sublimated in the most powerful creative attempt to challenge all the universe. The name "Maria" shouted repeatedly. This is a pleas about love. And the hero becomes submissive, almost humiliated, "just a man": "And I'm all of meat, / the whole thing is your body just ask, / as they ask Christians -" our ugly bread / give us a day. " Favorite replaces everything, it is necessary as "urgent bread." The poet talks about his "in the flour of a born word": it "the greatness equal to God." In this, of course, blasphemy, gradually developing to the riot against God.
Failure to beloved provokes this riot of the suffering and desperate hero. At first he is just a familial:
Listen, Mr. God!
How don't you boring
In cloudy kissel
Daily to dip offense eyes?
Then the familiarity passes all sorts of borders: the hero with God is already on "you", frankly Hamit him:
Walk your head, Cudlated?
Do you inscribe a gray eyebrow?
You think -
this,
for you, wing,
Does it know what love is?
The main accusation of God is not in the improper structure of the world, not in social injustice. The imperfection of the world is, "Why didn't you invent, / so that it was without flour / kissing, kissing, kissing?!" The despair of the hero comes to the frenzard, to rabies, almost to madness, he shouts terrible blasphemy, the element overwhelms it:
I thought - you are all kinds of Godrish,
And you are a flaw, tiny God.
See, I'm bent,
From behind the top
Give the shoemaker.
Winged boots!
Cheer in paradise!
Frying feathers in frightened shaking!
I, missing incense, cut
From here to Alaska!
Stick!
Do not stop me.
And suddenly hesitates: "Hey, you! / Sky! / Remove the hat! / I go! " (He is already with the sky on "you", although pride is not yet strangled). Nothing makes the hero: "Diguch. / The universe is sleeping, / putting on the paw / with a huge ear tick. "
IV. Final word of the teacher
Weary conflict with the world, the hero discovers its rebellion essence. The inconsistency of the hero, the connection in it of the limit "rash" and the ultimate tenderness, exacerbate the conflict. Contracted, tearing hero, encourages him on tragic loneliness.
V. Workshop on the poem V.V. Mamakovsky "Cloud in the pants"
1. Poet Nikolai Aseev wrote: "Cloud in the pants" - a mockery name, replaced by the original, prohibited by censorship, and was the first experience big topicbuilt on the opposition of existing schedules, institutions, institutions that he goes to shift, which is felt in the air, belongs to the verse - the coming revolution. "
Why, according to Aseeva, the name of the poem "Cloud in the pants" - "mocking"?
What did Aseev mean under the "Experience of a Big Top"?
What is the "opposition of existing schedules"? Give examples from text.
2. V.Makovsky He told in March 1930: "It (" cloud in the pants ") was launched by a letter in 1913/14 and first was called the Thirteenth Apostle. When I came with this work in censorship, they asked me: "What did you want to the cautious?" I said that in no case that this is not satisfied with me. Then I crossed out six pages, including title. This is a question about where the title came from. I was asked - how can I connect lyrics and great rudeness. Then I said: "Well, I will, if you want, like mad, if you want - I will be the most tender, not a man, and the cloud in the pants."
Why did the initial name of the poem "The Thirteenth Apostle" caused the idea of \u200b\u200bKathers for censorship?
What is the connection of "lyrics and big rudeness" in the poem "Cloud in Pants"? Give examples from text.
What is the meaning of a new poem name? How does the poet himself explain him? Does the name "cloud in the pants" reflect the character of the lyrical hero of the work?
3. "Poem and poems created in 1915. ("Clouds of pants", "Flute and spine"), said that a large poet humanist and a heartfelt lyrics came into the literature. In the poem about love robbed modern life ("Cloud in the pants"), the voice of the author himself sounds loudly, the facts of his biography gain a high poetic generalization here ... "(K. D. Muratova).
Name "Facts ... biographies" V. Mayakovsky, which can be found in his poem?
According to Muratova, in the poem, the voice of the author himself sounds loudly, "is it? Justify your answer, bring examples from text.
4. K.D.Muratova writes about the "clouds in the pants": "The most originality of the poem gives its metaphorical saturation, there is almost every row of metaphoric. An example of a materialized metaphor can serve as the "Heart Heart" of the poet, who extinguishes firefighters, or "sick nerves", which "droopy a desperate chchelet", forcing the stucco in the lower floor. "
What gives reason to say that in the poem "almost every row of metaphoric"? Do you agree with the saying of criticism?
What do you think is meant under the definition of a "materialized metaphor"? Give examples of such a metaphor in the text of the poem.
5. "In the" cloud ... "is visible one of the main featuresthinking Mayakovsky: the ability to the powerful associative conjugations is very far from each other, the images, plots. What is common between northergyan, bismarck and "labazniki shops"? And what does they have to do with the suffering rejected lover - "the thirteenth apostle", then the offering God to start "girls", then the knife threatening him? " (S. Bovin).
What, according to Bovina, is the main feature of the "thinking of Mayakovsky"? Find examples of such thinking in the text.
The researcher puts certain issues related to the reader regarding Mayakovsky's creativity. Try to give answers yourself. Are there any answers to them in the poem itself?
6. A.A. Mikhailov writes About the "clouds in the pants": "Blasphemia, aggressive vocabulary, street rudeness and deliberate anti-wetehetism reveal anarchic trends, the Bunlet element of the poems. And although Mayakovsky, blasphemy, elevates man, but the element is overwhelming him: "Remove, walking, hands out of the trousers, - take a stone, a knife or a bomb ..."
What does the criticism speak, about the "anarchic trends" and the "Bunlet Element of the Poem"? Do you agree with this?
How, in your opinion, "blasphemy", Mayakovsky "elevates man"? Give examples from text.
Early poetry. V. Mayakovsky belongs to an amazing Pleiad of the greatest poets of the 20th century, among which A. Blok, and S. Yesenin October events, and poetry created by him before the revolution is no less interesting and significant than the post-revolutionary.
nocturne could play
on the flute of drain pipes?
The formation of Mayakovsky as a poet began in 1910 with his rapprochement with futurists. Futuristic aesthetics at first put a fingerprint on the works of the young poet - there are a lot of bravada, candid outpatage, a deliberate verbal experimentation.
All of you are on the butterfly of the poetic heart pierce, dirty, in caloes and without Kalosh.
The crowd screames, will be straightened, the legs will face the legs.
And yet, even in the early verses of Mayakovsky there is no cult of "self-defined word", which was declared futurists and Mayakovsky himself: "The Poet is the word". It can be said that the experiments of early creativity of the poet are the search for new expressive means to transfer copyright, feelings, images of life itself.
I am alone like the last eye in a man going to the blind!
Already in the early poems, the talent of a young poet is manifested: life observation, creative power over the Word. In the works written during this period, a sharp sense of anxiety, which swept the soul of man in the capitalist city (Cycle "I", "From the street in the street", "Adash city"), there is a feeling of tragic loneliness, alien to futurists who chance the rumble and dynamics Urban streets.
The adsis of the city of the window was broken on tiny, sucking adka lights.
The redhead devils, rushed cars, over the ear blasting the beeps.
In the following years, not only tragic motives are growing in the work of the poet, but above all the feeling of hatred and anger, protest against the existing reality, which manifested most brightly in the poem "cloud in the pants", which Mayakovsky considered the program product of his pre-revolutionary creativity.
children's, whose word Soul is new, names the body, tell you:
the smallest dust of the lively valuable thing that I will do and did it!
The poem "Cloud in the pants" was the top of his romantic poetry, it sounds and deep faith in man, in his creative opportunities.
the sun firing b, seeing our shower golden placer!
About the early Mayakovsky Gorky said: "In fact, there is no futurism, but there is only ll. Mayakovsky. Poet. Big poet ... "
An important place in the work of Mayakovsky 1914-1917. It is occupied by works expressing its active protest against the imperialist war, her horror and meaninglessness. Despite this, even stronger in the poems poems sounds hope for the arrival of a new "free person."
In satirical works of this period, the poet mercilessly refuses the world of "fatty", unrighteous judges and selling critics ("Hymn dinner", "Anthem Criticizing", "Hymn of the judge").
Thus, the creative path of Mayakovsky, who led him to the enthusiastic acceptance of the 1917 revolution, was complex and interesting. In the history of poetry, Mayakovsky's work became a turning point for a new direction - socialist realism.
4. hyperbole, limit, irony, epithet.
The most important type of trails belongs to such as hyperboles and litts - special verbal means of an artistic exaggeration (as a kind of expression), the maximum pointing of the disclosure of the essence of what the author says.
There is a replacement of literal on sharply exaggerated, which helps to make an image more emotional. Indeed, when Mayakovsky writes "a hundred forty suns sunset burns," it will give an idea not only about the hot day, but also makes this message particularly excited, emotional, expressive. Mayakovsky often, the phenomenon of hyperbolism is achieved not by individual images, but their selection of their selection: "worlds drive belts", "a thousand times will scare ... Sun earth", "Dusk to the world of the ocean katnul" ("Good")
I. Zv, characterizing the features of the imaginary system of the early Mayakovsky, calls it an incorporate and hyperbolized Flemadian.
In the remark to the tragedy "Vladimir Mayakovsky" you can meet the "stretched belly area",
In another poem, "Earth, noistly, as a mistress, which Rothschild wipes" a hyperbole Irony, turning into sarcasm to help Mayakovsky brighter, more stronger to present the face of the bourgeois crowd, meshness, etc. What he did not take.
The irony is called a special variety of a trail expressing mocking. In irony, in contrast to all other trails, the transfer is determined by the fact that it implies the meaning that is directly opposed to the literal meaning of the word.
The most common view of the path is epithet - an artistic definition, which gives a bright imaging about the essence of the subject or phenomenon and the evaluation of their writer. For later time literature, a sharply individualized epithet is characterized, which is created only in this work to outrude the phenomenon in its uniqueness uniqueness. Karabchievsky notes at Mayakovsky "Bright line, strong and accurate epithet". "Puli Tacchus", "Crestive gloss", "millstalls of the Duma last grinding" ("V.I. Lenin"), "Clear the throat of the heart of the Heothene" ("Flute Spine"), "Lucky and humpbump ... . And. Lenin "). Many of his epithets became aphorisms. They help to express emotionally as possible. For example, in the 4th chapter "Good", "Usataya Nyan Nyan Milyukov" says "Madame Kusakova:" And I would be with my umischie, I crown in Mikhail. "
"Umishko Chile" - here the painting of the epithet creates a sharply negative characteristic of the character. Epithet relies on all achievements in the field of the use of verbally-present language. Therefore, it can be close to comparison and metaphor, hyperbola and irony. The most bright epithet of Mayakovsky is obtained using neologisms in satirical epitheats:
"Street Limyrvones", "Young Streamlines", "Chenovnousting Beings", "Mordovorota Pleiad", etc. Working on the Word, Mayakovsky used all the variety of funds to achieve figurative expressiveness. "This is a poet of mighty metaphor, accurate and unexpected comparison. For the means of these trails, he unexpectedly introduced the whole blocks to the text seemingly outsiders, in reality, the rigorously needed material "(Boyavsky). In his poetry, the world appears fortified, it is built on hyperboles. Flour of the poet, who worried love and jealousy, in the poem "Cloud in the pants" are recreated like this:
Every word,
Even a joke,
Who express the grieving mouth he,
Throws like a naked prostitute
From the burning public house.
Using all these funds, as well as diesthetization, Mayakovsky sought to show phenomena as they were never perceived before. It sought to do the usual strange. "To remove" the phenomenon was considered the main thing in his verbal work.
Chapter III: Poetic Syntax and Phone Elements.
§1. Poetic speech: multi-eyed, nonsenzie, inversion.
In addition to the paths, lexical means of imagery and expressiveness of the language, poetic syntax and elements of the Phone contribute to a large extent.
The poetic syntax is a system of special means of building a speech. Features of the structure of speech in the work are always associated with the peculiarity of the characters and life positions depicted in it, from the author's point of view. Another important feature of the syntax of poetic speech is determined by the fact that people are depicted in the literary work in motion in the process of changing their internal state, relations. All this is reflected in the construction of poetic speech.
Special means of syntax of figurative speech are called figures of poetic speech. The figures help to significantly increase the completeness and expressiveness of semantic and emotional shades of speech: multi-eyed creates some speech slowness, nonsense is used most often to enhance the feeling of rapid and tense developments, sharp transitions in the inner state of a person, inversion, in which one of the Lenov proposals to become an unusual For him, the place is especially allocated. In the inversion structures, the redistribution of logical accent and intonational separation of words, i.e., words sound more expressively, higher.
"I will tease about the bloody hearts of the flap;
dreaming on a softened brain,
as a leaning lackey
not fellow village
your thought
eXPOSITION IS IMAGE
In this passage of Mayakovsky from the poem "Cloud in the pants" a vivid example of inversions. He has an excited intonation enshrined in complex inversses "His teeth" in the sky; "The heart is with long-haired postcards a noble album"; "Faceted lines of barefoot diamond"; "Young man thinking about living ... I will say" and others.
§2. Break, rhetorical communication, question, negation, approval exclamation.
An increase in emotional expressiveness is also a pass of one of the members of the sentence; Trouble - inclusion of subsequent proposals in speech. In the poem of Mayakovsky "V.I. Lenin »We read:
" What do you see?!
Only his forehead is only
And hope of Konstantinovna
In the fog for ...
Maybe in the eyes without tears
You can see more.
Not in such I watched my eyes.
Here the cliff is used to transmit deep inner shocks. Syntactic figures in which the copyright attitude to the phenomenon and its assessment are expressed particularly clearly called rhetorical appeals, questions, denials, approval, exclamations.
Mayakovsky, the whole system of expressive means is highly intense, aimed at extremely dramatized speech expression of the lyrical hero, these figures are used as much as possible:
"Bay, drum!
Drum, drum!
There were slaves! No slave!
Drum!
Drum!
("150 000 000")
"Unit!
Thish.
Who hears it? -
Is the wife! "
("V.I. Lenin")
"Pretty!
Talk to strangers! "
("V.I. Lenin")
"Cum War!
Pretty!
("Okay")
"Close, time,
your mouth! "
("Okay")
It helps Mayakovsky imitate a fictitious dialogue, under the guise of an arbitrary emotional review of the external phenomenon to make an ordinary message about this phenomenon, to sharpen the emotional attention of the listener.
§3.Fonics, Alliteration, Assonance.
Fonika is artistic use in poetic speech sound opportunities. It includes the general rules for the sound harmonization of words in poetic speech, which contribute to colawing, harmony, explicitness, and the use of special means of sound strengthening and emotional allocation of some words and proposals.
A special means of sound amplification, selection of certain speech segments based on the use of sound repeats.
Alliteration is clearly speaking to repeat consonant sounds. The repetition of the vowels is called Assonance.
Mayakovsky wrote: "I resort to alliteration for the framing, for even greater emphasis of an important word for me"
Alliterations and Assonances of Mayakovsky give emotionally memorable sound by the poetic text: "And the worship jokes have a laugh, tears come out with ...";
"River's hand"; "You have in a mustache", "In the choir Arkhangelov Khorol, God, robbed, go carat!" ("Cloud"), "Non-embarrassed by the jaws of integrity, went to thunder about the jaw of the jaw" ("about it"), "I'm hurried about the globe" ("About it"), "Groble City, Greb, Grabastal" (" V.I. Lenin ")," Knife - rye. Cut. I am glad. In the head, the heat raises degrees ("good").
Using the use of phonetic verses, Muchovsky's samples become generalized, convex, the abstract is spiritual.
The word Mayakovsky really sounds ("words of Nabat", "the word raising thunder"). The whole system of expressive means of Mayakovsky maximizes all the artistic resources of the Russian language, so it is called the poet - innovator. But innovation would not take place if there was no passionate lyrical "me" of the poet, who exactly that I saw, survived the world and splashed in verses shower flour. It is under these conditions that, all expressive prepaids become artistic, in addition, when organically included in the tissue of the work. Their choice depends on the efforts and tasks of the artist's word.
Conclusion.
It is difficult for me to determine my attitude to Mayakovsky verses. The fact is that they, in my opinion, opposites "simple, like a washed." Its very unusual verbose images are difficult to understand, not even so much understand how much to read. Some of them, I can't understand, I don't like it, for example, "the face of the room was horror", "the street failed, like the nose of syphilicism," "Executing our felt fat", "I have a newborn crick that moves my nurses etc. Others, on the contrary, are very interesting, and expressive, very strong, such as "I am alone, as the last eye in a man going to a blind man", "The Last Love in the World put it in the Rumyanta Cachotochny", "Poetic Heart Butterfly", etc. Many images that now compete for me, first, at first reading, caused me a rejection, even some disgust, for example: "Earth! Let's heal your balding head with rags of my lips in the stains of other people's gilding "," poems filled with a skull ", etc. I am very often for a few words, for one phrase I can recognize the writer by the genius. Mayakovsky has this urchka "Listen!" After all, if the stars ignite - it means that it needs anyone? ". This is one of my favorite straws.
Mayakovsky in verses typically talks about himself, about the surrounding Lyudia, about God. Very often, he draws people with disgusting gods, climbed into the sink of things, but at the same time he collects their tears, their pain, it becomes an unbearable cargo for him, but he all smoothly "crawls further" to throw them "the dark god of thunderstorm The source of the animal vera. " But people are still grateful, and the tradition of "Love - Hate" continues in the work of Mayakovsky. God for the poet is not a sacrament, not judge, but a person, and quite ordinary, somewhat more interesting than the rest. The stunning verse opens not only his attitude, but also the contradiction of the poet's personality: "And when my voice feces so much ... Maybe Jesus Christ sniffs my soul of forget-me-not,".
Own "I" is the central theme of the pre-revolutionary creativity of the poet. His love, which can be called passion, his observation of life is torn, overtaking one another, often expressing in simple exclamations ("Ha! Maria!"). They are infinite, all of him acquires the universal shade, and the tears - already "tears", and the tragedy - "tragedy". The frenzy in his verses replaced the harmony, that harmony, which elevates our soul in verses Pushkin, Lermontov, Blok, Tyutchev, Bunin and many other poets. Describing even suffering and chaos, they seem to know him or, perhaps, bring us out of it, elevated us, and Mayakovsky, on the contrary, screws us into the puchin of passion, the streets, not what lines, but leaves it scattered, modest. Yana feel harmony and in his post-revolutionary verses. Rhythms appear in them, these stitching step, but for me it is better to confuse his pre-revolutionary poems and constant self-stuff ("I am the most beautiful in the human massif"), which is still bored, moving from the poem to the poem, from the poem to the poem. In the end, each person will always consider himself if no better than the rest, then the most special, and it is not because of pride, but because of the opening of new and new. Attempting to dissolve in "We" and be proud of this "We" does not attract me, and so more "work is not a social order." As Mayakovsky could not understand what is more dangerous for the "butterfly of the poetic heart" than "hanging on him in the galosh and Without a galosh "! All this led his poem to ordinary, medium, and then just boring. As a child, I can like the "History of Vlas" or "Story about Kuznetskstroe", then no longer interested in rhymes and edifications, I want to become involved in Eternity, and what an eternity here, if "fits the last day", even if you are nasty "boreh". When the artist answers some kind of "requirements of society", "the evil of the day", he stops the development of this society, keeps his level into the framework, even if the criticism of "individual parties" will also be in his verses. The artist is the "human rock paths", they raise the society by this, speaking about what people do not require, but what they most need it, 0 that maybe they forgot or not noticed.
elovka new time. We are faced with the task not only to trace the entire poetic process in the history of the poetry of the 50s - 80s, but also to comprehend the complex, dramatic time. Artistic surveys in the poetry of this time, the most promising lines of development of its genres and styles relied on the entire social and political, moral and aesthetic experience of the era, on the tradition of world and ...
For example, the whole story of Russian literature from the beginning of the XVIII century. And to this day, he concludes a very pronounced change of poetic and prosaic eras. So, the difference between poetry from prose is not the point only by external, narrow-formal, bringing together with the features of the form - poetic or prosaic - known originality and in the expression of ideological content. Romantic raising, ...
Satirical works by V.V. Mamakovsky.
Satirical works V.Mimakovsky created at all stages of his work. It is known that in the early years, he collaborated in Sachirikon magazines and New Sachirikon, and in his autobiography "I myself" under the date "1928", that is, two years before death, wrote: "I am writing a poem" bad "in Counters of the poem of 1927 "Good." True, "bad" the poet never wrote, but Satire gave tribute and in verses, and in the plays. Her themes, images, orientation, the original pathos changed. Consider them in more detail. In early poetry in . Makovsky satire is dictated primarily by Paphos of antiburizability, and he is romantic.
In the poetry of V.Makovsky there is a traditional for romantic poetry The conflict of the creative person, the author's "I" - Riot, loneliness (no wonder the poems of the early V. Markovsky are often compared with Lermontovskaya), the desire to tease, annoy the rich and well-filled, in other words, to pin them. For the then poetry directions to which a young author belonged, - futurism - it was typical. Alien to the philistical environment was portrayed satirically. The poet draws it as a rampant, immersed in the world of low interests, into the world of things:
"Here you are, a man, you have a cabbage oss
Somewhere underfiling, abused;
Here you are, a woman - you blew thick on you,
You watch the oyster from the shell of things. "
Already in early satirical poetry, V.Makovsky uses the entire arsenal of traditional for poetry, for satirical literature, which is so rich in Russian culture, artistic agents. So, he uses Ironia in the names of a number of works, which the poet identified as "hymns": "The Anthem of the judge", "Anthem to the scientist", "Anthem Criticizing", "Hymn dinner." As you know, the anthem is a solemn song. The hymns of Mayakovsky are the evil satire. His heroes are judges, sad people who themselves do not know how to enjoy life and make it different, seek everything to regulate, make colorless and dull. As a place of action of his anthem, the poet calls Peru, but the authentic address is quite transparent. Especially bright satirical pathos is heard in the "Hymn dinner". Heroes of the poem - the most fed, which acquire the value of the bourgeoisity symbol. In the poem there is a reception, which in the literary science is called Sainpado: instead of the whole, the part is called. In the "Hymn dinner" instead of a person acts a stomach:
"Stomach in Panama! You will be injured
The greatness of death for new era?!
The stomach is impossible to hurt anything, besides appendicitis and cholera! "
A peculiar turning point in satirical creativity V.Mimakovsky became the chastushka in October 1917:
"Eat pineapples, Lyuy,
Your last day comes, bourgeois. "
There is also an early romantic poet, and V.Makovsky, who who who set his work on the service of the new government. These relationships - the poet and the new power - were far from simple, this is a separate topic, but one undoubtedly - Buntar and Futurist V.Makovsky sincerely believed in the revolution. In the autobiography, he wrote: "Take or not take it? There was no such question for me (and for other Muscovites-Futurists). My revolution." The satirical focus of poetry V.Mikovsky is changing. First, her heroes are the enemies of the revolution. For many years, this topic has become an important for the poet, she ordered abundant food to his work. In the first years after the revolution, these are the poems that made up "windows of growth", that is, the Rosowa telegraph agency, producing) campaign posters on the evil day. V.Makovsky took part in their creation and as a poet, and as an artist - pictures were attached to many poems, or rather, both created as a whole in tradition folk pictures - Lubkov, also consisting of pictures and signatures to them. In the "Growth windows", V.Mikovsky uses such satirical techniques like grotesque, hyperbole, parody - so, some inscriptions are created on the motives of famous songs, for example, "in France two Grenaders" or famous for the Shalyapin execution "flea". Their characters are white generals, unconscious workers and peasants, bourgeois - certainly in the cylinder and with a thick stomach.
Mayakovsky presents the Maximalist Requirements to the new life, so many of his poems suitirically show her vices. So, the satirical poems of V.Makovsky "About Dryani", "loosened" acquired greater fame. The latter creates a groteex picture of how new officials are infinitely sitting, although against the background of what we know about the activities of the then authorities in Russia, this weakness looks rather harmless. A grotesque painting appears in "Provered". In the fact that "people of half" are sitting, not only the sale of metaphors - people are broken in half to catch everything - but also the price of such meetings itself. In the poem "On Dryani" to V. Markovsky as if the former anti-Motional Pafos would be returned. Quite harmless details of life like canary or samovar acquire the sound of the sinister symbols of the new boss. In the finals of the poem, a grotesque painting occurs - a traditional image of a commercial portrait, this time, portrait of Marx, who performs with a rather strange call to minimize the head canary. This appeal is clear only in the context of the entire poem, in which the canary acquired such a generalized value. Less known to the satirical works of V.Mimakovsky, in which he performs not from the position of militant revolutionism, but from the standpoint of common sense. One of these poems is "poem about the meat, about the Baba and about the All-Russian scale." Here, the revolutionary desire for the global alteration of the world comes in direct contradiction with the ordinary interests of an ordinary person. The Baba, which "mud holted out" on the impassive meat street, there is no business to global all-Russian scales. In this poem, you can see the roll call with a full common sense of the speeches of Professor Preobrazhensky from the story of M. Bulgakov " dog's heart". The same common sense was permeated with the satirical verses of V.Moyakovsky about the passion of the new authorities to ensure that everyone gives the names of the heroes - so, in the poem" terrifying familiarity "appear in the poet, but quite reliable" Meyerhold "combs" or "Dog named Polcan. "In 1926, V. Markovsky wrote a poem" strictly prohibited ":
"Weather such
What Mai fit.
May - nonsense.
Real summer.
You enjoy everything: porter, ticket control.
Hand sweeps the pen itself,
And the heart boils with a song for nothing.
To heaven ready to paint the peer
Krasnodar.
Here would be
Put the straw trip.
Mood - Chinese Tea Tits!
And suddenly on the wall: - ask questions to control the controller is strictly prohibited! -
And immediately
The heart is in life.
Solovyov stones from the branch.
And I want to ask: -Well, how are you?
How is a healthy? How do children? -
I passed my eyes to the ground.
only made a stubborn, seeking patronage,
And I want to ask a question, and it is impossible - the government is still offended! "
In the poem, there is a clash of a natural human impulse, feelings, moods with cassenger, with a stationery system, in which everything is regulated, strictly subordinate to the rules complicating people life. It is not by chance that the poem begins the spring picture, which should give birth and gives rise to joyful mood, the most ordinary phenomena, such as Perron Station, cause poetic inspiration, a song gift. V.Majakovsky finds an amazing comparison: "Mood - Chinese Chipples!". Immediately the feeling of something joyful, festive is born. And all this crosses strict office.
The poet with an amazing psychological accuracy conveys a sense of a person who becomes the subject of a strict prohibition - it is done undernger, no longer laughs, but "heins up, seeking patronage." The poem is written characteristic of Creativity by V. Mamakovsky Tonic verse, and, which is typically for the poetic skill of the artist, in it "work" rhymes. So, the most fun word - "Charitsa" - rhymes with the verb "is proceeding" from the wretched state vocabulary. It uses the poet here and the technique inherent in it - neologisms: the TELLER, a low-length-by-followerness from the non-existent "lowering". They actively work on the disclosure of the art meaning. The lyrical hero of this work is not a speaker, not a fighter, and above all the person with his natural mood, inappropriate where everything is subordinated to the strict regulation. Satyric verses of V.Mimakovsky modern and today.
Tags: Satirical works of Mayakovsky Composition of literature
Could you?
I immediately smeared the Beatman's card,
splashing paint from glass;
i showed a jelly on a saucer
ocean's ocean cheekbones.
On cesua tin fish
i read the call of new lips.
And you
nocturne play
we could
on the flute of drain pipes?
Listen!
Listen!
After all, if the stars light up -
So - someone wants them to be?
So - someone calls these pearl flores?
And, darling
in fellow pulse dust,
breaks to God
afraid that late
cry
kisses him a housing hand
asks -
so that there was a star! -
swear -
does not postpone this faceless flour!
And then
there is anxious,
but calm externally.
Says to someone:
"After all, now you have nothing?
Not scary?
Yes?!"
Listen!
After all, if the stars
ignite -
so it is necessary to someone?
So it is necessary
to every evening
above the roofs
skazed at least one star?!
Love
(Excerpt)
Came -
looking at
beyond
for growth
delusit
i saw just a boy.
Took
heart took away
and just
went to play -
like a girl with a ball.
And each -
miracle seemingly seen -
where the lady was buried
and where is the maiden.
Yes, there is a rinse!
Due, the tamer.
Should, from the zero! "
And I am licked.
He is not here -
yeah! -
I do not remember yourself from the joy
rope
indian wedding jumped,
so it was fun
it was easy for me.
Poems about the difference of tastes
The horse said, looking at the camel:
"What a giant horse bastard".
The camel cried: "Yes, do you really?! You
simply - the camel is underdeveloped. "
And he knew only the sad-working god,
what these are animals of different breeds.
Furster
In the car, the last franc swallowing. -
In which hours on Marseille? -
Paris runs, accomplishing me
in all impossible glory.
Approach the eyes, alpine,
the heart suits me suits!
I would like to live and die in Paris,
if there was no such land - Moscow.
Questions and tasks
- Read the works of V. V. Mayakovsky, written in the early years of the revolution, prepare one of them or an excerpt for reading. What does the poet draw your attention?
- Chukovsky's roots believed that the main nerve of the early poetry of Mayakovsky - pain and protest against bourgeois reality. Where do we find confirmation of this?
- The early works of Mayakovsky are especially rich in hyperboles, deployed metaphors, neologisms. Give examples of using these artistic means and think what the poet with their help reaches. Why did you need Mayakovsky new rhymes, rhythms?
- How do you understand the words of Mayakovsky himself about the work of the poet: "To correctly understand the social order, the poet should be in the center of affairs and events ..."?
- What poems and plays of Mayakovsky, known to you, are directed against bureaucracy, bribery, other evils of modern society?
- Why did Mayakovsky played so much with reading his poems?
- What is the meaning of the poems "Listen!", "Poems about the difference in tastes" and "farewell"?
Change your speech
- What was the innovation of Mayakovsky? Prepare a detailed response using a story about the poet and sections "As V. V. V. Mayakovsky worked," "in the creative laboratory V. V. Mayakovsky", "Work of the Word", "Word".
- Name the poet's neologisms from the poems you read. Turn on two or three of them in the proposal of your own design.